Promoting your workBy Sustained Theatre - 21 December, 2008
What are the challenges of promoting culturally diverse theatre? Sustained Theatre interviews Mukhtar Dar, Artistic Director of The Drum, Birmingham
Making Great Art
By Sustained Theatre - 20 December, 2008
We interview Hassan Mahamadallie, Senior Diversity Officer at Arts Council England
Theatre Without Borders
By Sustained Theatre - 19 December, 2008
We interview Natasha Poplavska, manager of Art Media and theatre director, Macedonia
Back to Black
By Quentin Letts - 12 July, 2008
What comes first, art or ethnicity? Quentin Letts tells us why he thinks work from 'the Sector' should stop ghettoising itself
Theatre in Action
By Rikki Beadle Blair - 04 December, 2008
Rikki Beadle Blair finds out if his new play 'Fit', can tackle homophobia in schools...
Decibel: Open for Applications
By Sustained Theatre - 28 November, 2008
How can decibel's Performing Arts Showcase benefit artists?
Visiting Arts: South Africa
By Sustained Theatre - 27 November, 2008
Get yourself a place on the producers' programme and visit South Africa in 2009
Elsewhere on the web...
By Live Art - 22 December, 2008
Live Art Development Agency are hunting a new deputy director to help plan artistic programmes and develop resources. Apply now...
Elsewhere on the web
By CLP - 17 December, 2008
Cultural Leadership Programme are offering a host of opportunities to develop leadership skills for artists and practitioners. Apply now...
Elsewhere on the web...
By LSE - 14 December, 2008
Recording the truth in Iran offers a rare chance to see the work of photojournalist Kaveh Golestan...
Elsewhere on the web...
By Rich Mix - 14 December, 2008
Rich Mix are looking for submissions from all artists for the 'Identity and Migration' season next spring
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Tarell Alvin McCraney
“I was August Wilson's assistant while he worked on his last play, Radio Golf. He saw one of my first plays at Yale and called me to the cafe where he smokes and writes. 'You repeat a lot,' he said - this from the man who repeats everything! In hindsight, it's almost as if I were preparing myself for now. I know the head space you need to write a play. ... August's work is great and I love it, but I also thought there's room for me. As Alvin Ailey said, 'All stories are old. The only thing that's new is you.' "
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